Wednesday, 13 December 2017
Sunday, 10 December 2017
A truly absorbing performance of 'Free For Tonight', which was the slightly more gritty/somber B Side to the euphoric 'Pour Down'.
Thursday, 7 December 2017
An absolutely genius re-working of an electro pop classic.
David Wilkinson did a particularly astute write up of their Shaking The Habitual album over on The F-Word back in 2013, an album that increasingly feels prescient and slightly ahead of its time.
'We Share Our Mothers Health', meanwhile, dates from the bands Silent Shout period in 2006 and, as such, is much more pop than anything off Shaking The Habitual. Which is not to say it's a 'light' track by any means. Sonically, its very robust and complex, but it does have a lightness that the more recent material doesn't have.
Monday, 4 December 2017
Late contender for single of the year for me.
Or just a great dance madly around the living room kind of record.
The album, MASSEDUCTION, is great as well and I really don't understand why it's not in any of the steady flood of end of year lists coming along this month. Except perhaps that it was only released in October?
As a general rule, my personal end of year list doesn't often cross paths with the general ones, partly because I'm a bit slow on the uptake with some albums, but also because I think I operate in some musical twilight universe where my ears operate differently or something... Which worked OK as an approach when I was a fanzine writer, but was less useful as a music journalist. Sigh...
Saturday, 2 December 2017
Thursday, 30 November 2017
I actually wrote about this song a few years back as part of The F-Word's song of the day series. I think it's a really good example of an artist trying to break away from the image they were packaged in as a young teenage singer/songwriter and, ultimately, being punished for doing so.
Amy Studt does still write and record, but I'm not sure to what extent she chooses to keeps herself low profile or to what extent that choice has been made for her.
This song was such a great track, from a really strong album album as well. It deserves to be reissued.
Sunday, 26 November 2017
I've been coming back to this song a lot over the past few months. It's the song I think of as the bands 'Big Brother And The Holding Company one', as opposed to 'What The Water Gave Me', which I tend to think of as the 'Jefferson Airplane one'. Not in a derivative way in either sense, merely in that both songs have a slight echo or nod to that particular musical moment in time.
The guitar sound on 'Mother' has that late 1960s/1967 Monteray Pop Festival feel to it only it's combined with Florence Welch's signature motif of dark lyrics coupled with uplifting music. Overall, it's also a song that is indicative of the way in which the band tend to go for a big finish, mood wise and sonically speaking, on all of their albums.